dinsdag 29 november 2011

[Z899.Ebook] Ebook Free Marvel Tales #139 : Starring Spider-Man in "Duel to the Death with the Vulture" (Marvel Comics), by Stan Lee

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"Duel to the Death with the Vulture! New York City is being terrorized by a new criminal called the Vulture. He is equipped with artificial wings that allow him to swoop down on his victims, snatch their valuables, and be gone before they know what is happening. Nobody has been able to photograph him, and J. Jonah Jameson needs pictures to illustrate his Vulture feature article for Now magazine. Peter Parker decides to try to photograph the criminal in action. Selling the photographs will help him and his Aunt May make ends meet. Meanwhile, the Vulture is in his Staten Island hideout (an abandoned silo), making plans to hit the Park Avenue Jewelry Exchange. As he flies out over the city, he is spotted by Spider-Man, who is equipped with a miniature camera once owned by his late Uncle Ben. Spider-Man manages to take some photographs of the Vulture, but the Vulture sees him, attacks him from behind, knocks him out, and dumps him into a water tank. After breaking out of the water tank, Spider-Man heads home, where he adds some improvements to his devices and develops his photographs. The next day, Peter Parker arrives at J. Jonah Jameson's office with pictures of the Vulture. The publisher is very impressed and pays him well. Then Peter heads for the Park Avenue Diamond Exchange, which the Vulture tauntingly announced to the public as the site of his next robbery. While everybody expects the Vulture to strike from above, he strikes from beneath a manhole cover, seizes a case of diamonds, and flees through the New York City sewer system. Spider-Man uses his Spider-Sense to track him down, and wins their battle with an anti-magnetic inverter, a device he built to counteract the magnetic power that the Vulture uses for flight. The Vulture is left for the police, and Peter Parker has photographs of the Vulture's capture, which he sells to J. Jonah Jameson for a large sum of money. Peter and Aunt May are able to make ends meet.

  • Sales Rank: #10141877 in Books
  • Published on: 1982
  • Binding: Paperback

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zaterdag 26 november 2011

[F400.Ebook] Ebook Download Instructor's Manual and Test Bank - Sentence Skills with Readings, by John Langan

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  • Sales Rank: #4866752 in Books
  • Published on: 2001
  • Binding: Paperback

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donderdag 24 november 2011

[O179.Ebook] PDF Ebook An Introduction to General Systems Thinking (Silver Anniversary Edition), by Gerald M. Weinberg

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An Introduction to General Systems Thinking (Silver Anniversary Edition), by Gerald M. Weinberg

For more than twenty-five years, An Introduction to General Systems Thinking has been hailed as an innovative introduction to systems theory, with applications in computer science and beyond. Used in university courses and professional seminars all over the world, the text has proven its ability to open minds and sharpen thinking.

Originally published in 1975 and reprinted more than twenty times over a quarter century -- and now available for the first time from Dorset House Publishing -- the text uses clear writing and basic algebraic principles to explore new approaches to projects, products, organizations, and virtually any kind of system.

Scientists, engineers, organization leaders, managers, doctors, students, and thinkers of all disciplines can use this book to dispel the mental fog that clouds problem-solving. As author Gerald M. Weinberg writes in the new preface to the Silver Anniversary Edition, "I haven’t changed my conviction that most people don’t think nearly as well as they could had they been taught some principles of thinking.”

Now an award-winning author of nearly forty books spanning the entire software development life cycle, Weinberg had already acquired extensive experience as a programmer, manager, university professor, and consultant when this book was originally published.

With helpful illustrations, numerous end-of-chapter exercises, and an appendix on a mathematical notation used in problem-solving, An Introduction to General Systems Thinking may be your most powerful tool in working with problems, systems, and solutions.

  • Sales Rank: #564020 in Books
  • Brand: Brand: Dorset House
  • Published on: 2001-04-15
  • Original language: English
  • Number of items: 1
  • Dimensions: .68" h x 6.12" w x 9.04" l, .90 pounds
  • Binding: Paperback
  • 320 pages
Features
  • Used Book in Good Condition

From the Publisher
Makes the most generally applicable insights from general systems theorists and from disciplinarians available to the widest audience possible.

From the Author
“When I set out to write An Introduction to General Systems Thinking, I had already written a half-dozen books on thinking -- but all in the context of thinking about computer programming. . . . I decided to leave the programming language business to others and to concentrate on more general principles of thinking. As a result, I first published The Psychology of Computer Programming and then this book. Now, more than a generation later, both books are still around, quietly doing their work.”

--from the preface to the Silver Anniversary Edition

About the Author
Gerald M. Weinberg has programmed, researched, managed, and taught both in industry and academia for more than four decades. As a principal of Weinberg and Weinberg, based in Lincoln, Nebraska, he teaches and consults in ways for people to become more productive.

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53 of 55 people found the following review helpful.
An excellent introduction...
By Zentao
Weinberg distills the essence from von Bertalanffy's classic and manages to present it in a very accessible fashion. The book has been out of print for quite a while so it is great to see a new edition. The message and information contained in here, although originally published in 1975, is now more relevant than ever.
Weinberg covers many aspects of systems theory beginning with the main stumbling block with the present scientific paradigm: the idea that the universe is mechanistic. His treatment is much more general than Robert Rosen's in "Life Itself" but still conveys why the mechanistic notion is flawed.
He then outlines the general systems theory approach before leading into the idea that a system is simply a way of looking at the world. He then outlines the principle of indifference. This leads straight into two sections outlining various aspects of making observations. Finally he discusses behaviour and then some general systems questions.
Throughout the book he uses many examples from disparate fields in conjunction with questions for further research. It is great to see someone who doesn't preach systems but actually uses the ideas.
Definitely a must-read as we decided how to solve the myriad of issues before us.

39 of 40 people found the following review helpful.
A primer of good and fearless thinking.
By paulh@challenger-software.com
This book is a quiet little masterpiece, where its author shares his observations of his world in a personal way. With the same light touch, he also delves into the thought structures behind these observations. This is practical scientific philosophy with a folksy, conversational, almost homespun, style that never gets lost in abstractions or strays far from living examples in everyday life. Its lack of academic bluster and techo-pomposity is refreshing and informal, yet the insights have a power that cannot help but affect your own thought processes. An example ( for me) is the classification of all systems into three types: Determinate, Medium-number, and Statistical. This notion has proven to be fantastically useful over the years. Several other observations took some nerve to put into print. The net effect of the book is, at its end, also inspirational. Here is someone showing all of us how we can deal with the big, bad world in a friendly, humourous, courageous, and empowered way.

26 of 29 people found the following review helpful.
A MUST-READ for any profession
By A Customer
If I had to select a book that has influenced my thinking most, it would be this one. This book alone spurred my interest in Systems Research, and is one that I have gone back to re-read many times.
Gerald Weinberg has taken the essence of General Systems Theory and formatted it for the masses. His insight into the methodology, and his ability to combine humor with explanation makes this a must-read in the field. While many of the examples are programming-based, that does not detract from the usefullness of this work.
The publisher needs to understand the importance of this work, and put it back into print!

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donderdag 10 november 2011

[V966.Ebook] Fee Download Sorrow's Words: Writing Exercises to Heal Grief (Writing It Real) (Volume 2), by Sheila Bender

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Sorrow's Words: Writing Exercises to Heal Grief (Writing It Real) (Volume 2), by Sheila Bender

In this writing workbook, Sheila Bender offers help and inspiration for those who mourn. Having lost her son in a snowboarding accident in 2000, she leads readers in using the craft of writing to articulate not only the pain and sadness of loss, but also to find a route into reclaiming joyful memories as well as gratitude for having known the deceased. The narrative from the author's journey, the examples from her writing and the writing of others, as well as 16 assessable writing prompts, make Sorrow's Words: Writing Exercises to Heal Grief a treasure for those who need to learn the power of memories and a new way to appreciate beauty in the bittersweet nature of human experience.

  • Sales Rank: #1332288 in Books
  • Published on: 2015-07-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .19" w x 6.00" l, .27 pounds
  • Binding: Paperback
  • 82 pages

About the Author
Sheila Bender is the founder of WritingItReal.com, dedicated to helping people write from personal experience. Her books include the memoir, A New Theology: Turning to Poetry in a Time of Grief; a collection of poems, Behind Us the Way Grows Wider; and many books on writing including Creative Writing DeMystified and Writing in a Convertible with the Top Down.

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3 of 3 people found the following review helpful.
A tangible gift to those seeking to make peace with loss
By Jan Gapper
Brave souls, enter here. Torn and ragged souls, enter here. Weary and desperate souls, enter here. Whether you are familiar with writing or haven't the faintest clue, Sheila Bender has designed a well-thought series of writing exercises to help you explore and make peace with your grief and loss. She provides writing models with complementary prompts and questions. Caution: there will be tears and laughter. However, through each writing assignment, I found that while I was making peace with my grief and giving it a place in my heart, I was allowing myself to see and feel the goodness of the past and the present moment. Sorrow's Words is a tangible gift to those who want to make sense of their world after the death of a loved one. For me, Sheila Bender provided the guidance I sought and could not find. My world (inner and outer) is a healthier and happier place because of her thoughtful guidance.

1 of 1 people found the following review helpful.
An invaluable and beautifully written guide on expressing personal loss
By Ruthie Ewers
Sheila Bender's book on writing about sorrow is a map to the tender and hurting parts of our psyches after a terrible loss. Each chapter lets us immerse ourselves in that sorrow, one inch at a time. We go into the murky waters up to our ankles, then ours waists, then our chests as we slowly test the current of our grief. I felt as if the sister I lost to Leukemia was on the journey with me, looking over my shoulder to see what I had written, sometimes taking the pen in her own hand when I couldn't continue. Sheila poses the question: how can we possibly write after a terrible loss? Is it worthwhile? Isn't it selfish? Writing is, after all, a personal task, something we do for ourselves. But after going through these exercises I knew it was not selfish at all; it was necessary for my survival as a healthy, living person.
No matter how long ago you suffered your loss, this book will help you write about the person and about your relationship with him/her. The exercises open you to honestly expressing your emotions as you come to terms with the absence of your loved one. I felt, after finishing just two chapters, that I had uncovered memories about my sister and our lives together that otherwise I never would have remembered.
I highly recommend this book. It is beautifully written and an invaluable tool of healing.

1 of 1 people found the following review helpful.
Comments on Sorrow's Words
By leela
Sheila Bender’s book, "Sorrow’s Words" has the right mix of heart and mind. It is honest in its emotion, yet instructional. She works with the reader to not only share an understanding of what it means to grieve, but then to show how to move forward and heal. Having looked to past poets herself for inspiration and following colleagues’ advice to publish, she illustrates how working together can be one of the best tools to continue to live deeply. She offers writing prompts throughout the book, meant to get the reader’s creative and cognitive wheels turning toward writing. Although this book is directed toward readers who have experienced the death of a loved one, I find the prompts very useful for writing to heal from other forms of loss, such as ruptured relationships and breakups, or even loss of one’s self.

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zondag 6 november 2011

[C934.Ebook] Download Ebook On Writing: 10th Anniversary Edition: A Memoir of the Craft, by Stephen King

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On Writing: 10th Anniversary Edition: A Memoir of the Craft, by Stephen King

On Writing: 10th Anniversary Edition: A Memoir of the Craft, by Stephen King



On Writing: 10th Anniversary Edition: A Memoir of the Craft, by Stephen King

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On Writing: 10th Anniversary Edition: A Memoir of the Craft, by Stephen King

Immensely helpful and illuminating to any aspiring writer, this special edition of Stephen King’s critically lauded, million-copy bestseller shares the experiences,�habits, and convictions�that have shaped him and his work.

“Long live the King” hailed Entertainment Weekly upon publication of Stephen King’s On Writing. Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer’s craft, comprising the basic tools of the trade every writer must have. King’s advice is grounded in his vivid memories from childhood through his emergence as a writer, from his struggling early career to his widely reported, near-fatal accident in 1999—and how the inextricable link between writing and living spurred his recovery. Brilliantly structured, friendly and inspiring, On Writing will empower and entertain everyone who reads it—fans, writers, and anyone who loves a great story well told.

  • Sales Rank: #454 in Books
  • Brand: Scribner
  • Published on: 2010-07-06
  • Released on: 2010-07-06
  • Format: Deluxe Edition
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.44" h x .80" w x 5.50" l, .75 pounds
  • Binding: Paperback
  • 288 pages
Features
  • Great product!

Amazon.com Review
Short and snappy as it is, Stephen King's On Writing really contains two books: a fondly sardonic autobiography and a tough-love lesson for aspiring novelists. The memoir is terrific stuff, a vivid description of how a writer grew out of a misbehaving kid. You're right there with the young author as he's tormented by poison ivy, gas-passing babysitters, uptight schoolmarms, and a laundry job nastier than Jack London's. It's a ripping yarn that casts a sharp light on his fiction. This was a child who dug Yvette Vickers from Attack of the Giant Leeches, not Sandra Dee. "I wanted monsters that ate whole cities, radioactive corpses that came out of the ocean and ate surfers, and girls in black bras who looked like trailer trash." But massive reading on all literary levels was a craving just as crucial, and soon King was the published author of "I Was a Teen-Age Graverobber." As a young adult raising a family in a trailer, King started a story inspired by his stint as a janitor cleaning a high-school girls locker room. He crumpled it up, but his writer wife retrieved it from the trash, and using her advice about the girl milieu and his own memories of two reviled teenage classmates who died young, he came up with Carrie. King gives us lots of revelations about his life and work. The kidnapper character in Misery, the mind-possessing monsters in The Tommyknockers, and the haunting of the blocked writer in The Shining symbolized his cocaine and booze addiction (overcome thanks to his wife's intervention, which he describes). "There's one novel, Cujo, that I barely remember writing."

King also evokes his college days and his recovery from the van crash that nearly killed him, but the focus is always on what it all means to the craft. He gives you a whole writer's "tool kit": a reading list, writing assignments, a corrected story, and nuts-and-bolts advice on dollars and cents, plot and character, the basic building block of the paragraph, and literary models. He shows what you can learn from H.P. Lovecraft's arcane vocabulary, Hemingway's leanness, Grisham's authenticity, Richard Dooling's artful obscenity, Jonathan Kellerman's sentence fragments. He explains why Hart's War is a great story marred by a tin ear for dialogue, and how Elmore Leonard's Be Cool could be the antidote.

King isn't just a writer, he's a true teacher. --Tim Appelo

From Publishers Weekly
As his diehard fans know, King is a member of a writers-only rock 'n' roll band (Amy Tan is also a member), and this recording starts off with a sampling of their music. It may sound unsettling to some, but King quickly puts listeners at ease with his confident, candid and breezy tone. Here, King tells the story of his childhood and early influences, describes his development as a writer, offers extensive advice on technique (read: write tight and no bullshit) and finally recounts his well-known experience of being hit by a drunk driver while walking on a country road in 1999 and the role that his work has played in his rehabilitation. While some of his guidance is not exactly revolutionary (he recommends The Elements of Style as a must-have reference), other revelations that vindicate authors of popular fiction, like himself, as writers, such as his preference for stressing character and situation over plot, are engrossing. He also offers plenty of commonsense advice on how to organize a workspace and structure one's day. While King's comical childhood anecdotes and sober reflections on his accident may be appreciated while driving to work or burning calories on a treadmill, the book's main exercise does not work as well in the audio format. King's strongest recommendation, after all, is that writers must be readers, and despite his adept performance, aspiring authors might find that they would absorb more by picking up the book. Based on the Scribner hardcover (Forecasts, July 31, 2000).

Copyright 2001 Cahners Business Information, Inc.

From School Library Journal

Adult/High School-By the time King was 14, the scads of rejection slips he'd accumu-lated grew too heavy for the nail in the wall on which they were mounted. He replaced the nail with a spike and went on writing. This straight-up book inspires without being corny, and teens suspicious of adult rhap-sodies to perseverance will let down their guard and be put at ease by the book's gritty conversational tone. The first 100 pages are pure memoir-paeans to the horror movies and fanzines that captivated King as a child, the expected doses of misadventure (weeks of detention for distributing his own satirical zine at school; building an electromagnet that took out the electricity of half a street), and hard times. King writes just as passion-ately in the second half of the book, where the talk turns to his craft. He provides plenty of samples of awkward or awful writing and contrasts them with polished versions. Hand this title to reluctant readers and reluctant writers, sit back, and watch what happens.-Emily Lloyd, Fairfax County Public Library, VA

Copyright 2001 Cahners Business Information, Inc.

Most helpful customer reviews

561 of 573 people found the following review helpful.
Uncovering the Fossil
By A Customer
For the legions of Stephen King fans out there (which is to say a lot), the first third of the book containing his short memoir is truly a gift. One can't help wanting to read about his/her favorite writer after being transported to fantastic worlds countless times in Mr. King's prolific career. Some fans would have paid... gladly for the first 101 pages of the memoir ("C.V." he calls it), which includes heartfelt tidbits about his brother, mother and his long battles with alcohol and drug addiction.
The second part, "On Writing," is where the aspiring novelists will find inspiration. Assuming you're a serious writer (or wanting to be a published one), you'd no doubt would have read the countless manuals on the mechanics of writing. With Mr. King, you do get short lessons in the mechanics of prose here and there. What he mostly offers to the aspiring writer is the inspiration, the cheerleading, and as some have already suggested, after reading it makes you want to sit and write something. He actually allows you into his writing routine, when and where he writes, how many months it takes to write the first draft, and even how he goes about editing the second draft.
Some very original thoughts I found quite interesting:
1. Story is a fossil you find on the ground, and you gradually dig it out slowly.
2. He doesn't plot his stories. He puts "a group of characters in some sort of predicament and then watch them try to work themselves free." In fact he even goes as far as to say, "plot is shift, and best kept under house arrest."
3. Write first draft with the "door" closed, and the second draft with it open.
There are truly gems here for writers, simple, direct, to the point. As always, he doesn't talk down to you. There is even advice on finding agents.
The final section elaborates his near-death experience in summer of 1999, when he was hit by a van driven by Bryan Smith. The book is actually a sandwich: two slices of autobigraphy with the writing advice as the meat of the book.
Though the thin volume was not your edge-of-the-seat thriller or horror, I found myself reading the darn thing in one seating. A pretty good deal for a non-fiction book. This may sound funny, too, but I felt like the book became a good friend of mine. In a word, this is book is intimate. As a fan, and perhaps a writer, that might be worth something.

647 of 693 people found the following review helpful.
For writers and readers -- get inside King's mind
By Dr Beverly R Vincent
The cover shows an inviting scene, a country house with a warm light glowing in the living room window, a set of double doors leading down to the cellar, the house lined with pink and white flowers. "Come on in," the picture seems to say. "I have a story to tell."
It generally takes Stephen King about three months to finish the first draft of a book. He began "On Writing" at the end of 1997, but put it aside a few months later, unsure how to finish it. Over a year later, in mid-1999, King decided to spend the summer "finishing the damn writing book."
The events of late-June, 1999 interfered with those plans. King spent three weeks in the hospital after he was struck by a van. In late July he decided it was time to start writing again, and it was "On Writing" that he chose for his return to work. The finished product, "On Writing: A Memoir of the Craft" will be released by Scribner in early October, 2000.
It was a discussion with Amy Tan while on tour with the Rock Bottom Remainders that inspired King to write this book. "No one ever asks about the language," Tan said in response to King's query about the sorts of questions that she doesn't get at author appearances. "Serious" authors get asked that but they don't ask the popular novelists who, he says "care about language in our humble way, and care passionately about the art and craft of telling stories on paper."
King opens with a lengthy memoir that "attempted to show some of the incidents and life-situations which made me into the sort of writer I turned out to be." He calls this section "C.V," as in "curriculum vitae," his list of accomplishments and job skills. Some of the story is familiar, though many of the details are new. He works his way through his stages as a writer from childhood to novice to apprentice to worldwide success.
For the first time in any detail, King addresses his battle with alcohol and drug abuse, when it started, how it evolved and how he eventually was forced to confront his problem. He reveals that he has little memory of writing "Cujo" ("I wish I could remember enjoying the good parts as I put them down on the page"), that he hadn't realized that when he was writing "The Shining" he was writing about himself, and how Annie Wilkes in "Misery" could well be seen as a symbol for coke and alcohol. "I decided I was tired of being Annie's pet writer," King says.
King is more revealing of his life in this book than ever before. He is frank in discussing the merits and deficiencies of many of his books. Of "Rose Madder" and "Insomnia" he says: "These are (much as I hate to admit it) stiff, trying-too-hard novels." He talks about how he reached a point in "The Stand" where he had to set the novel aside for several weeks until he could figure out how to go on. If he had written a couple of hundred pages less at that point he probably would have abandoned the book completely. Also described in some depth are the issues he had to deal with in writing "Carrie," "The Dead Zone" and "The Green Mile." He spends some time relating an event that inspired him to write the upcoming novel "From a Buick Eight" and the research required for the second draft that had to be deferred after his accident - a couple of weeks riding with the Pennsylvania State Police.
"But I'm not a writer," the prospective reader of "On Writing" might cry. "Why should I want to read this book?" While a substantial section of the book is about writing, King's approach to it and his advice to writers at all levels of the art, there is much here for the non-writer as well. King's success has made him a high-profile personality, more so than many other authors, and the level of public interest in his life is easily demonstrated by the overwhelming number of requests for updates on his condition received by his office and official web site in the weeks following his accident. Here is the opportunity to read King on King, and on his books. He describes the symbolism in many of his novels, rarely planted intentionally on the first draft but uncovered, as an archaeologist uncovers a ruin, during the writing of the second draft.
For writers, though, the book is chock full of advice, some of it common sense, some of it uniquely King's. His taboos of writing: adverbs (especially those in dialog attributes) and the passive voice. His description of the writer's toolbox: Common tools on the top shelf (vocabulary and grammar), elements of grammar and style on the second level, along with an understanding of the paragraph as the basic element in fiction, and a synthesis of all of these along with innate and developed skills at the bottom.
"If you want to be a writer," King says, "you must do two things above all others: read a lot and write a lot." King calls reading the creative center of a writer's life. He advocates reading in small sips as well as long drinks - in waiting rooms, in line at the theater, in the checkout line at the grocery store, on the treadmill at the gym and in the john.
When it comes to writing, though, King is more selective. "We do best in a place of our own," he advises. The most important feature of this place: a door that you can and are willing to shut. No TV, no phone and no video games. Curtains closed. Write first with the door closed. Write for yourself without worry about theme, symbolism or accuracy of details. Those are for the second draft, which is usually written with the door open, after he has sent the book to a select group of critical readers.
King includes examples of both good and bad writing, sometimes taken from his own work, sometimes taken from such writers as Elmore Leonard and John Katzenbach. The final chapter of the book is an annotated rewrite of his first draft of the opening section of "1408," one of the three stories in the recent "Blood and Smoke" audio release. This section should silence critics who suggest that King doesn't rewrite his work. It is an interesting look at the creative process and what an author should look for when editing his or her own material.
He also describes his approach to research. It's all about back story, he says. "What I'm looking for is nothing but a touch of verisimilitude, like the handful of spices you chuck into a really good spaghetti sauce to really finish her off."
Toward the end of the book, King tackles the subject of his accident. This section, called "On Living," is partly a bully platform for him to get his version of the story down, as well as his opinion about how the legal system handled the case of driver Bryan Smith. It also describes how an otherwise ideal day went wrong, the minute details of his injuries and some of the challenges of his recovery process. "Life isn't a support system for art - it's the other way around," he concludes.
Throughout the book, but especially in this chapter, King pays tribute to wife, Tabitha. She is King's "Ideal Reader," the person for whom he writes all of his books, the one who he wants to make laugh or cry through his writing. His love and admiration for her shines through, from a touching scene in their early courtship where he sits at her feet as she reads her poetry in a workshop, his hand on her calf, to her organization of a group intervention to make him confront his addiction problems, and all the way through to her support and encouragement of him during his convalescence.
At the end, King includes a list of nearly a hundred novels that he considers the best that he's read in the last three or four years. "A good many of these might show you some new ways of doing your work. Even if they don't, they're apt to entertain you," he concludes.
The same might be said of "On Writing."

218 of 240 people found the following review helpful.
Get out your notebooks, sharpen your pencils...and learn.
By ConstantConsumer
Though far from the definitive writer's guideline, this book shines a unique perspective on the craft. Stephen King lays down the law and then teaches it. He shares his techniques, his pet peeves, and his own personal horrific experiences - both as child and adult - and he does it all within the cerebral classroom of the printed page. He wraps a juicy filling of personal tragedy, growth and experience within a tight covering of his famous story telling style.
As a human, I was touched by his childhood anecdotes and often laughed with him about his insecurities. I am still in awe at what he has recently had to overcome physically. I mean, damn.
As a writer, I am grateful for a brief glimpse into his vocational world. I gained confidence from learning about things I have been doing right and have changed many bad habits (may the adverb rest in peace). I've read several tomes on the subject and believe his reigns as the most complete.
I've been a fan of King's since the seventh grade when I was given The Dead Zone and Cujo as an Easter present. A year later I had read every book he'd published (with the exception of the dreaded Limited Editions of which I could opine negatively for hours - suffice it to say that writing should be for everyone to read, not just the rich). I've read or listened to all his books since. I can honestly say, that this is my favorite.
Sometimes the coldest hands to wrap around your neck are the true ones.
The only bad thing I can say about this book is that it's too short, something one rarely has the opportunity to state regarding the beloved author.
A huge thank you to Mr. King for a brief indulgence into the life of a genius.

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