woensdag 11 juli 2012

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European Media Policy for the Twenty-First Century: Assessing the Past, Setting Agendas for the Future (Routledge Advances in International

Media policy issues sit at the heart of the structure and functioning of media systems in Europe and beyond. This book brings together the work of a range of leading media policy scholars to provide inroads to a better understanding of how effective media policies can be developed to ensure a healthy communication sector that contributes to the wellbeing of individual citizens, as well as a more democratic society. Faced with a general atmosphere of disillusionment in the European project, one of the core questions tackled by the volume’s contributors is: what scope is there for European media policy that can exist beyond the national level? Uniquely, the volume’s chapters are structured around four key policy themes: media convergence; the continued role and position of public regulatory intervention in media policy; policy issues arising from the development of new electronic communication network environments; and lessons for European media policy from cases beyond the EU. In its chapters, the volume provides enriched understandings of the role and significance of policy actors, institutions, structures, instruments and processes in communication and media policy.

  • Sales Rank: #4835633 in Books
  • Published on: 2016-02-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x .70" w x 6.20" l, .0 pounds
  • Binding: Hardcover
  • 290 pages

About the Author

Seamus Simpson is Professor of Media Policy at the University of Salford. His research interests are in European and global communications policy, areas in which he has published widely. Seamus's research has been funded by the ESRC and the European Commission. He was part of the PricewaterhouseCoopers team which undertook the first EU-funded evaluation of the pan-European communications regulator, BEREC, in 2012. Seamus is Chair of the Communication Law and Policy Division of the International Communication Association and an ICA Board of Directors member. In 2015, hejoined the Oxford Research Encyclopedia: Communication as a Senior Editor (Oxford University Press).

Manuel Puppis is Associate Professor in Media Systems and Media Structures at the Department of Communication and Media Research (DCM), University of Fribourg, Switzerland. He currently serves as chair of ECREA’s Communication Law & Policy Section and board member of Swiss Association of Communication and Media Research (SACM). His research interests include media policy, media regulation and media governance, media systems in a comparative perspective, political communication and organization theory.


Hilde Van den Bulck (PhD) is full professor of communication studies and head of the Media, Policy and Culture research group at the University of Antwerp in Belgium. She combines expertise in media culture and identity with expertise in media policies and structures, looking at the impact of technological, economic, political and cultural developments on media structures and policies, with a focus on public service broadcasting. In both areas she has researched and published in books and ISI journals.

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maandag 9 juli 2012

[C196.Ebook] Download La Reina del Sur (Spanish Edition), by Arturo Perez-Reverte

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"The phone rang and she knew they were going to kill her" is how this action-filled best-selling novel starts. This time, P�rez-Reverte's hero is a woman named Teresa Mendoza who is nicknamed "The Queen of the South" and "The Mexican" by the authorities of three continents. After her boyfriend, a pilot employed by drug lords, is murdered, she begins creating an empire with mafias from Spain, France, Italy and Russia in the male-dominated world of drug trafficking.

Description in Spanish: Nacida en Culiac�n, Sinaloa (M�xico). Hija de padre espa�ol y madre mejicana. Convivi� con Raimundo D�vila Parra, (a.) El G�ero D�vila, piloto de aviaci�n relacionado con el c�rtel de Ju�rez. Viaja a Espa�a, Melilla. Relacionada con Dris Larbi, propietario de clubes nocturnos. Algeciras. Gibraltar. Relacionada con Santiago L�pez Fisterra, piloto de planeadoras. Tr�fico de tabaco y estupefacientes. Detenida por el servicio de Vigilancia Aduanera. Prisi�n de El Puerto de Santa Mar�a.

  • Sales Rank: #2348743 in Books
  • Brand: Brand: Punto de Lectura
  • Published on: 2004-09-01
  • Ingredients: Example Ingredients
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 1.49" h x 4.52" w x 6.98" l,
  • Binding: Mass Market Paperback
  • 640 pages
Features
  • Used Book in Good Condition

Review
Los lectores no podran pasar las paginas lo suficientemente rapido. Una historia apasionante. --Publishers Weekly

Entretenida como pocas, hermosa por su construccion e inquietante por la grave problematica que late debajo de la aventura criminal. A esta radiografia del delito añade ademas el autor un canto a la propia literatura. --El Cultural

Junten el desencanto neorromantico de Barry Gifford con la maestria narrativa de Juan Marse y añadan una banda sonora con el desgarro de Chavela Vargas. El resultado de semejante mezcolanza ya tiene titulo: La Reina del Sur. --El Periodico de Catalunhia

Language Notes
Text: Spanish

About the Author
Arturo Perez-Reverte (Spain, 1951) is considered to be one of the top 10 international novelists and is one of Spains best selling authors. His numerous works have been translated into 23 languages and four of his novels have been made into movies.

Biography in Spanish (Cartagena, 1951) fue reportero de guerra durante veintiun anos y es autor, entre otras novelas, de El maestro de esgrima, El husar, La tabla de Flandes, El club Dumas, Territorio Comanche, La piel del tambor y La carta esferica; y la serie historica La aventuras del capitan Alatriste.

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2 of 2 people found the following review helpful.
No es cosa del otro mundo, pero es interesante
By M.J.H.
La reina del sur es una novela de Arturo P�rez-Reverte que trata de una mujer que se convierte en la narcotraficante m�s poderosa del sur de Espa�a. Escrito en el 2002, el libro es la base para la telenovela del mismo nombre que se estren� en el 2011. Es un libro de longitud moderado; tiene 544 p�ginas, y como soy estudiante de espa�ol, necesit� tres meses y medio para leerlo. Usualmente no leo libros de acc�on como este, pero, en el esp�ritu de tratar otras cosas en mi lengua nueva, pens� que algo diferent ser�a una buena idea.

Cuando la historia comienza en M�xico, Teresa Mendoza solo es la novia joven de un piloto y narcotraficante de Sinoloa. Ella tiene una vida de lujo y sencillez, pero todo cambia completamente con una llamada telef�nica: una llamada con las noticias de que su hombre est� muerto y que sus asesinos van a matarla pronto tambi�n. Ella corre y aprende como sobrevivir; y por esto, su conocimiento y fuerza crecen, mientras su personalidad cambia a algo m�s �gil, dura y despiadada.

El estilo del autor es muy directo, y no es dif�cil leer la historia. Hay varias expresiones locales y vernacular, y a veces ten�a que buscar fuera del diccionario de mi Kindle para entender unas palabras; por ejemplo, “pinche.” Pero es una parte importante de aprender un idioma nuevo.

Para mi, las partes mejores ten�an que ver con los momentos m�s grandes en que la vida cambi� en seguida, o cuando un secreto era revelado. A veces hay un momento, que se llama “La Situaci�n”, cuando el peligro est� muy cerca. Entonces ella tiene que pensar muy r�pido mientras est� siendo cazada por sicarios o criminales poderosos.

Por otra parte, ella tambi�n es una criminal y necesita preocuparse de la polic�a. Sin embargo, encontr� estas partes que tienen que ver con los agentes del gobierno, aburrido y demasiado largo. Hay varias persecuciones de alta velocidad sobre el mar, por ejemplo, que simplemente no eran muy interesantes ni intrigantes. Tambi�n, hay varios personajes menores que eran muy superficiales, no originales y sin intereses. Las personas todas parec�an lo mismo para mi.

Un beneficio de leer esta novela es que se puede mirar por internet la telenovela tambi�n, con Kate del Castillo en el papel de Teresa. El espa�ol hablado muy r�pido puede ser dif�cil de entender, pero cuando se sabe la historia y los personajes con adelanto, es muy divertido y una buena manera de aprender y practicar. Solo he visto un poquito del video, pero parece que est� bien hecho y no tan diferente del libro.

2 of 2 people found the following review helpful.
Uneven quality
By Mags
The story is fascinating, and the author has done a good job of painting a vivid and realistic picture. However, there are some defects.

The constant references to the book "The Count of Monte Cristo" are pointess and irritating. (There seems to be a tendency, especially among writers in Spanish, to use their novels to talk about books.) The long, long section about life and love in a women's prison is a needless distraction and not particularly well done. A male fantasy about this tangential topic, which could have been covered in half a dozen pages in terms of advancing plot and character. The description of a long gun battle is cartoonish. And there is a clumsy and self-conscious technique of using long run-on sentences to convey a sense of emotional confusion or a rush of events. (Good writing, like good taste, should never call attention to itself.)

The book is worth reading, but don't expect great literature. It's on the level of, say, Tom Clancy.

2 of 2 people found the following review helpful.
La Reina del Sur
By L. Smith
Read from October 06 to November 04, 2012
review La situacion en Mexico con la revolucion narcotica es critica y es por eso que el autor nos da una idea dela misma. La narrativa podriase decir que es en forma cronologica donde el proposito principal es de relatar la historia de Teresa.. Los hechos son descritos en forma que el lector puede practicamente revivir las pericias de los personajes. Estos estan delineados directament y se puede concluir que son multidimensionales. El estilo es quizas complejo debido a que le lexico que trata de segui...more La situacion en Mexico con la revolucion narcotica es critica y es por eso que el autor nos da una idea dela misma. La narrativa podriase decir que es en forma cronologica donde el proposito principal es de relatar la historia de Teresa.. Los hechos son descritos en forma que el lector puede practicamente revivir las pericias de los personajes. Estos estan delineados directament y se puede concluir que son multidimensionales. El estilo es quizas complejo debido a que le lexico que trata de seguir es como se habla en Sinaloa, Mexico y a veces resulta en un pinche comprender lo que se genera en una conversacion. La version casterllana es la riginal y es la mejor en seguir. Buen libro para los interesados en conocer un poco las redes del narcotrafico.(less)

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zondag 8 juli 2012

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  • Sales Rank: #410368 in Books
  • Published on: 2000
  • Number of items: 1
  • Binding: Paperback

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  • Sales Rank: #8457190 in Books
  • Published on: 2006-03-18
  • Original language: English
  • Number of items: 1
  • Dimensions: .88" h x 7.22" w x 10.06" l,
  • Binding: Hardcover
  • 320 pages

Review
"Green Infrastructure is a remarkable guidebook, brimming with vision, practical step-by-step guidance, and detailed case studies. It will be invaluable to all who seek to conserve significant networks of open lands and to build truly livable communities."
(Jean Hocker president emeritus of the Land Trust Alliance and president, Conservation Service Company, LLC)

"Green Infrastructure represents an informed and progressive way of approaching our environment. ...It is clearly written and uses boxed case studies, quotes, tables and photographs to enhance its clarity and readability."
(Australian Planner)

"Benedict and McMahon make a compelling case that the long-term health and viability of our communities and countryside depend upon connecting parks, trails, and farmland to create a tapestry of protected land spanning the American landscape."
(Keith Laughlin President, Rails-to-Trails Conservancy)

About the Author

Mark Benedict is the Senior Associate for Strategic Conservation and the Senior Advisor for the Conservation Leadership Network at the Conservation Fund. He has his Ph.D. in botany/plant ecology from the University of Massachusetts, Amherst.

Ed McMahon is vice president and director of land use planning for The Conservation Fund and co-author of� Balancing Nature and Commerce in Gateway Communities (Island Press 1997).

The Conservation Fund, a national nonprofit organization, acts to protect the nation's legacy of land and water resources in partnership with other organizations, public agencies, foundations, corporations, and individuals. Since its founding in 1985, the Fund has helped its partners safeguard wildlife habitat, working landscapes, community greenspace and historic sites totaling more than 3.4 million acres throughout the nation. Its headquarters are in Arlington, Virginia.

Most helpful customer reviews

2 of 3 people found the following review helpful.
Excellent informative book!
By Gregory T. Ford
I am learning a lot from this book and think it's a great resource to have in my library of books related to Landscape Architecture.

6 of 8 people found the following review helpful.
must have if you work on regional and urban planning
By Marcos Barinas Uribe
This is an excellent resource for physical planning in relationship to environmental sustainability. If you buy this book , buy also Skinny streets and green neighborhoods.

0 of 1 people found the following review helpful.
great book!
By Jauvane C. de Oliveira
Great book. The text is to-the-point, yet quite easy to follow.

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vrijdag 6 juli 2012

[R128.Ebook] Ebook Download Studio Anywhere: A Photographer's Guide to Shooting in Unconventional Locations, by Nick Fancher

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Studio Anywhere: A Photographer's Guide to Shooting in Unconventional Locations, by Nick Fancher

What’s your definition of a photo studio? Is it a room with a white seamless backdrop or a cyc wall? Maybe it’s simply anywhere you’re in control of the lighting. In a perfect world, where every day is a breezy 72 degrees with partial cloud coverage, we would all have a 5,000-square-foot studio–and the entire catalog of B&H™ in our equipment lockups.

But the reality is that you may have an outdated DSLR with two decent lenses (which took you several years to save up for), and all you have at your disposal is an unfinished basement, your garage, or the empty conference room at your office. That’s where�Studio Anywhere�comes in. With photographer Nick Fancher as your guide, you’ll learn how to get portfolio-ready photos while working in some of the most problematic scenarios imaginable. Whether shooting a corporate portrait, a test shoot with a model, or a promo shoot with a band, you’ll discover that most of the time, there’s no need for an expensive studio–you just have to get creative.

Studio Anywhere�is a resource for photographers to learn through behind-the-scenes photos and lighting diagrams from a range of photo shoots–but it doesn’t stop there. Because directing a photo shoot involves more than simply knowing how to wield a camera or process a raw file, Nick also lets you in on the aesthetic decisions he makes in his signature photos, inspiring you to develop your own vision. And, finally, he describes his Lightroom and Photoshop workflow so you can learn how to deftly navigate post-processing.

  • Shows how to create images with minimal equipment that is within reach of anyone’s budget
  • Takes you through the entire shoot, from concept to lighting to exposure to post-processing in Lightroom and Photoshop
  • Teaches how to build a portfolio without a dedicated studio space

  • Sales Rank: #58631 in eBooks
  • Published on: 2015-03-19
  • Released on: 2015-03-19
  • Format: Kindle eBook

About the Author
Nick Fancher is a Columbus, Ohio–based portrait and commerce photographer. He graduated from The Ohio State University with a BFA in fine art photography in 2005. His clients have included JackThreads, ESPN Magazine, The Ohio State University, CVS, and Getty. He adores good coffee, music, and the film work of Charlie Kaufman. He can be found online at nickfancher.com, @nickfancher (Twitter), and nickfancherphoto (Facebook).

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24 of 26 people found the following review helpful.
From perfume in a puddle to a Vogue-worthy Versace ad. And so much more. Genius!
By Wiz
As a Designer and Developer for some of the biggest, most-respected businesses and personalities in the world, I have had the distinct honor of working with some of the best photographers in the game. But when asked for my personal favorite photographer, I will refer you to Nick Fancher every time. He's smart and ridiculously talented and can bring beauty out of even the most mundane in the most unexpected ways. Judging from his impressive portfolio, you'd think he worked out of world-class studios with state-of-the-art equipment and unrealistically expensive retouchers. Nope! Try kiddie pools and puddles. Seriously, this book reveals the mind-boggling secrets behind Nick's masterpieces and shows you exactly how to use what you have around you to create beautiful, magazine-worthy shots on your own! Studio Anywhere is a selfless offering and a must-have to anyone who wants to create better pictures without having to shell out a penny more than the cost of this book. Well done, Nick!

23 of 25 people found the following review helpful.
Your Photography Library needs this book!
By Ian J. Wilson MD
If you enjoy recounting the story of how Ansel Adams exposed "Moonrise, Hernandez, New Mexico" in a panic, unable to find his Weston light meter and forced to rely on his intuition and years of experience (and knowing the luminescence of the full moon - who doesn't?) then I suspect you will thoroughly enjoy this little masterpiece. I was actually going to start this paragraph with 'Would you take advice on photographic flash and lighting techniques from a guy who doesn't own a light meter?" but my daughter Natalie interjected "You can't start that way - people only read the first paragraph and move on."
I first met Nick Fancher at a Photography Workshop this Winter which was devoted to the concept outlined in this book, namely answering the question "If you don't have a 5000 square foot photography studio (or you have one but had to leave it at home), are you still able to capture and produce interesting, innovative and high-quality portrait photographs? You won't be past the first few pages of this well-written (and fun) book before you're hooked on the idea that, with a little bit of knowledge and some clever innovation, you can create really neat, clever stuff without thousands of dollars worth of not-so-portable equipment.
One of the previous reviewers implied that this was niche book for professionals struggling without a proper studio, but it's much more than that: Fancher assumes you know the nuts and bolts of regular camera manipulation, and instead of a boring lecture about "flattering 4:3 light ratios to bring out the Female Persona" he takes you on a Magical Mystery Tour of what you can do with light, and reflectors and gels, and what walls and surfaces are available as backgrounds, using very little equipment (I suspect he really does own a flash meter) and a whole lot of imagination and "thinking outside the box,"
For instance, did you know that gradually separating your subject from a pure white background changes the latter into a grey background and, moving further, into a BLACK backdrop? Did you know your flash has a tele feature that can be used to bring drama to a portrait? That an inexpensive flash grid will magnify this effect? That you can manufacture dramatic Vogue-type fashion shots with a simple sheet of pegboard?
I don't want to give the impression that this book is only a collection of Tips and Tricks like "Hints from Heloise" (although the book is full of lots of clever ideas) - Fancher knows light and knows how to make it work for him, and, more importantly, for you. He will teach you how to analyze someone else's work as to how the shoot was arranged, what lighting was used, and where, (he calls it deconstructing the photograph) and in so doing you quickly learn about the mechanics of the portrait and the art of producing aesthetically interesting work.
So this not a niche book - whether you're a serious photographer who's timid about delving into the scary world of portrait photography, a genuine amateur who simply wants to make great family portraits, or a blossoming professional who just wants novel ideas beyond the usual "Flash Photography in the Digital Age" plethora, you will probably rank this as one of the best little investments you've purchased yet.

12 of 12 people found the following review helpful.
Without a Studio
By Conrad J. Obregon
This is an unusual book targeted at a specific audience. That audience is photographers shooting portraits and products who do not have a formal studio in which to work. (To be accurate the author does discuss how to use a small cramped basement space as a studio.)

Fancher discusses using living rooms, backyards, offices, parks, streets and that cramped basement for photography. He shows how to get images with minimal equipment, like a single flash and a foam board reflector. From the examples he shows, this seems to work pretty well, and while his own images don't raise to the level of Karsh or Avedon, they are far better than the ordinary snapshot that a well-schooled photographer would take. There is also an epilogue that deals with some of the business aspects of being a studio photographer, even though that's not the main thrust of the book. Each example includes a lighting diagram. Moreover the author follows the progress of each image from setup to processing in Lightroom and occasionally Photoshop.

The author assumes you know how to use equipment and doesn't give any instruction on exposure, or focusing, or the technical aspects of using your flash. Moreover, it probably helps to be familiar with lighting techniques like main, fill and background lights. Similarly you won't get detailed instruction on using Lightroom, although the author shows which sliders he maneuvered, and to what purpose, to achieve his final results (although some of the screen captures are a little smaller than I would have liked for comfort). On the other hand, Fancher did give me a new respect for the Split Toning Panel in Lightroom, which I had always perceived as a bit gimmicky.

At first it seemed that the book would not tell me anything I hadn't seen in other tomes on photographic lighting. Then I got a series of small surprises. For example, I knew the advantages of shooting outside in open shade, but had never considered the degree of control I could get by posing a subject just beyond a garage door.

The author's style is almost too easy going and non-didactic and might lead a reader to at first believe the content is trivial. But the photographer without a studio may well pick up a few tricks that will enable him to make better portraits and product shots without a dedicated space.

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woensdag 4 juli 2012

[C287.Ebook] Ebook Free Sociology: An Introductory Textbook and Reader

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  • Published on: 1700
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dinsdag 3 juli 2012

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Mil Besos: 1000 Kisses by Afanador, Ruven (2009) Hardcover, by Ruven Afanador

  • Published on: 1707
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